The Zapruder Film - JFK Assassination Debate - The Education Forum ), Below is a still frame that seems to show Jackie much closer to Hill. She turned toward me and I grabbed her and put her back in the back seat. XVIII. I believe more than we know. By the way, h ere's something that The Wikipedia thought important to leave out from the Zapruder film narrative. Throw out 20% of the witnesses because they said something different. It would have been impossible to alter the film in such a way as to depict the movement of the head as being anything other than what it was. The film's physical location remained the same, only its record classification changed. However, the copyright for the film is owned by the Sixth Floor Museum in Dallas Texas. Now everywhere you read about it, you never read about the car stopping. Additionally, Brugioni was certain that the set of briefing boards available to the public in the National Archives is not the set that he and his team produced on November 2324, 1963. In fact, there were no fewer than 22 photographers on Dealey Plaza, most of them amateurs, positioned along the last part of the motorcade route. "I saw his head open up and I started yelling, 'They killed him! There was nothing and you couldn't get anything on television . In chapter 8 of his outstanding book Survivors Guilt: The Secret Service and the Failure to Protect President Kennedy (2013), Vince Palamera counted 59 witnesses who reported that the limo stopped or slowed down. Her work has appeared in outlets like The Washington Post, National Geographic, The Atlantic, TIME, Smithsonian and more. The Zapruder family originally refused to consent, but in 1978, the family transferred the film to the National Archives and Records Administration for appropriate preservation and safe-keeping, while still retaining ownership of the film and its copyright. The Truth Behind JFK's Assassination - Newsweek Frame 313 of the film captures the fatal shot to the President's head. article by attorney and JFK researcher Carol Hewett that is just stunning, rich in insight and very hard-to-get information. One other thing to be aware of is the position of the photographers, relative to each other and to the street. One has a film of the p. limo traveling down Elm Street. Some were shooting black-and-white or color stills, Polaroids, or 35mm slides, while several others had movie cameras loaded with color film. The original film was retained by Zapruder, in addition to one of the copies. How many people were photographing the motorcade? As you will see, he associates that shot with the first time he grabbed the handgrip. Zapruders position indicated by yellow arrow on the Nix film below. 'Altamont,' by Joel Selvin Years later, in an interview she gave with my mother, Marilyn remembered, "When they started to make their first turn, turning into the street, he said, 'OK, here we go.'
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